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Blues CD Cover Art Interview with Barrelhouse Chuck
March 2003
Source: www.templeofblues.com

Carrying on the Tradition of Chicago Blues Piano
by Skyy Dobro, Watseka, Illinois

“I am a dinosaur! You’re a dying breed playing the style of music I play. I am not accessibly commercial property. There’s really not a call for as much of the blues piano that I do. I am in love with Leroy Carr (1920s-30s); I can play his stuff all night and not give a damn if people like it! I love slow blues – the sadder, the better. Guitar and harmonica are always the ones people like – they like the volume. So a lot of [bands] don’t hire a piano,” reflected Charles Goering in a phone interview this past week. Goering is better known in the blues world as Barrelhouse Chuck. It seems illogical to me that piano would not be more popular. My family didn’t own a guitar, but we had a piano. As a child, the first music I heard at church was played on a piano. In my first music class in grade school, the teacher was playing a piano – but not that well. So the first time I heard a really great pianist (with a good left hand), I was hooked. Hearing Ragtime, boogie-woogie, and barrelhouse piano was like, “Oh yeah, I want more of that!” Muddy Waters, the creator of Chicago Blues, always had a piano, and so does Nick Moss. Kankakee area blues fans recently received a double treat when Nick Moss and the Fliptops made a repeat appearance at The Landing. On that night, international touring artist Barrelhouse Chuck performed with Nick, Moonshine Kate, and drummer Greg “Smokey” Campbell. Chuck has been friends with Nick for 12 years, and they both realized that they each do the old stuff right. Their union is a natural!

Chuck continued in a more optimistic tone, “In the last few years, I’ve resurfaced on doing some recordings. I’ve gotten lots of press by different people in Chicago. And I am excited now to be playing with Nick Moss! It is so much fun! We share the stage and solos, we back each other, and we just recorded a new CD coming out in May, ‘Count Your Blessings’.” “I’m also very, very fortunate to have Sirens Records (in Highland Park). It’s an independent blues piano label, and I’m very, very happy. In the last two years, I’ve had “8 Hands on 88 Keys” (with Pinetop Perkins, Detroit Junior, and Erwin Helfer), and then I had a solo CD ”Prescription for the Blues.” The Sirens label has been a great help because people who seek blues piano can find it on this label. Along with my other CD’s, I’ve recorded on about 16 different labels over the years.” “I am always looking for someone who wants to record me in a band situation. I so desperately want to make good recordings. To me, what you leave behind is your legacy - which are the good records you make with good musicians. When you play live, it is like smoke in the air. When the music is gone, it’s gone! Your body of recorded work is how you will be remembered.” Another great album is one Goering has re-released, titled “Salute to Sunnyland Slim.” Chuck reissued it with tribute in mind. Goering is one of the few Chicago blues pianists to have studied under Sunnyland Slim, Pinetop Perkins, Lafayette Leake and Little Brother Montgomery. When I told Chuck how I completely fell in love with this CD by the third listen, he responded, “You know, you’re one of the people that get what that’s about. It’s a certain era of Chicago blues with the players on there from the Muddy Waters Band and the Howlin’ Wolf Band like S.P. Leary, and then Calvin Jones and Willie Smith, and Sam Lay. There was just a great effort to recapture something that was left to me from Sunnyland. You know, he really gave me an incredible gift of lots of years, the almost 20 years that I spent with him. I really wanted to do a couple of his songs, like ‘Depression Blues,’ and then at the same time try to get that Chess [Records] sound that I so much fell in love with.”

As Goering laments, there are not many practicing blues pianists. Every town has at least one good guitar player, but the live music venues don’t have a piano. Chuck feels like he is one of the last of a dying breed. Goering, though, is only 44-years-old, and with a reemerging fan base, he has many years to illuminate a great lineage. Purchase these CDs directly from Chuck and read his complete biography at www.barrelhousechuck.com Find more great blues piano albums from The Sirens Records at www.thesirensrecords.com

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